GIMBALGOD x GOPRO ACADEMY
GIMBALGOD x GOPRO ACADEMY
Built off a decade of in-field experience. Learn theory on decision making & perspective on Spencer’s creative filmmaking journey.
Learn how Spenny decides between equipment and cameras. A decade of operating in harsh conditions.
How to choose the right settings for the job. Simplify the Max 2, Hero 13, Fractal and legacy models.
Explore the new Macro, Ultrawide and Anamorphic lenses. Achieve cinematic motion blur through ND filters.
Where to place the camera in dynamic shooting situations. Insight into tracking, POV and FPV framing.
Workflows and theories to make your work standout. Speed ramps, motion tracking and sharpening for delivery.
Upcoming modules on business, filmmaking and in-depth color sessions utilizing Davinci Resolve.
COURSE OVERVIEW
Overview of lessons in the academy.
Lesson 1: Intro to GoPro
Lesson 2: Complete Equipment
Lesson 3: Phone and Computer
Lesson 4: Software Variety
Lesson 5: Audio Choice
Lesson 6: A Lineage of Heroes
Lesson 7: GoPro Hero Camera Settings
Lesson 8: ProTune Settings
Lesson 9: Auto Exposure Lock
Lesson 10: Hypersmooth
Lesson 11: Color Profiles
Lesson 12: Digital Lenses and Max Lens Mod
Lesson 13: ND Filters
Lesson 14: GoPro Max
Lesson 15: GoPro Max VS GoPro Hero
Lesson 1: Workflow Overview (Post-Production Intro)
Lesson 2: Project Setup
Lesson 3: Sequence Settings
Lesson 4: Selects and Framegrabs
Lesson 5: Shortcuts
Lesson 6: GoPro Reframe
Lesson 7: Keyframing
Lesson 8: Superview and Hyperview
Lesson 9: Max Editing Workflow
Lesson 10: Color
Lesson 11: Slomo
Lesson 1: Why use GoPro Reframe
Lesson 2: GoPro Player
Lesson 3: Exporting + Denoise Plugin
Lesson 4: Hypersmooth Pro
Lesson 5: GoPro Labs
Lesson 1: Theory Overview + Setup is Your Friend
Lesson 2: Mounting Locations
Lesson 3: Camera Techniques
Lesson 4: Advanced GoPro Techniques
Lesson 5: When Not to Use Hypersmooth
Lesson 6: Hypersmooth VS Hypersmooth Pro
Lesson 7: When You Might Use a Gimbal
Lesson 1: Advanced Overview
Lesson 2: GP-Log
Lesson 3: Multi-Camera Operation
Lesson 4: Tentacle Sync
Lesson 5: Troubleshooting
in partnership with
The GimbalGod Academy currently focuses on Adobe Premiere Pro and After Effects, with 2025 expanding into DaVinci Resolve integration. Advanced color-grading lessons and FinalCut Pro workflows are planned for 2026.
The lessons share Spenny’s complete filmmaking philosophy, designed for creators of all levels looking to maximize their GoPro’s potential.
All legacy LUTs are designed for Flat, Natural, and GP-Log profiles. The 2025 color grades focus on GP-Log, available as both LUTs and DaVinci PowerGrades. In 2026, Spenny will expand the same looks to a full range of camera profiles, including Blackmagic, RED, Sony, Canon, and DJI.
For the best experience, follow along in Premiere Pro. However, the concepts, philosophy, and techniques apply equally to FCPX and DaVinci Resolve.
Yes. GoPro has released new beta “Reframe” plugins for FCPX and DaVinci Resolve, allowing users to reframe 360 footage directly on desktop without relying solely on the Adobe suite.
No. Since all lessons are visible before purchase, refunds are not offered once the course has been purchased.
As a GimbalGod Academy student, you’ll have lifetime access to all current and future lessons, anytime you’re online.
No. All lessons are hosted on a custom online student portal and require an internet connection. Each module includes both video and written content, with a comment section below every lesson for questions and discussion.
Yes. The 2025 module covers using the Quik app to reframe MAX2 footage. However, for maximum quality, editing on a desktop platform is recommended.
Yes. The course will continue to expand with new modules on FCPX, DaVinci Resolve color grading, and advanced camera workflows. Additional lessons will also cover the business of filmmaking and behind-the-scenes insights into how Spenny brings his film projects to life.
While Spenny recommends GoPro for its reliable color science and post-stabilization tools, the settings and techniques taught apply to any camera system.
